Monthly Archives: November 2010

FBI Agents Entrap Another “Terrorist” Patsy

By MATT APUZZO, Associated Press – Tue Nov 30, 11:42 am ET

WASHINGTON – Mohamed Mohamud appeared to have discovered an unusually compassionate pair of terrorists.

They told him he didn’t have to kill to be a good Muslim. He could just pray. A bomb was a very serious matter, they said. Kids might be killed. Time and again, they offered a way out.

At a hotel in downtown Portland, Ore., in July, the two undercover FBI agents listened as Mohamud explained his dream of detonating a car bomb during the city’s Christmas celebration. They offered to help, if Mohamud was sure he wanted to go through with it.

“You always have a choice,” one of the agents said, according to court documents. “You understand? With us, you always have a choice.”

It was not an offhand remark. It was part of a carefully scripted routine the FBI has been perfecting since the September 2001 terrorist attacks. Sting operations, choreographed by FBI and Justice Department officials in Washington, have included plots against Dallas skyscrapers, Washington subways, a Chicago nightclub and New York’s John F. Kennedy International Airport.

The plots have all been fictional. The intent, the FBI says, has been real. And the government has a string of convictions to back that up, a track record that has made undercover stings one of the government’s go-to strategies in terrorism cases.

But the tactic is not without its critics. Each arrest has been followed by allegations of entrapment and claims that the government is enticing Muslims to become terrorists, selling them phony explosives, then arresting them.

As Mohamud appeared in court on a terrorism charge Monday, friends accused the FBI of luring him into a plot the government had concocted.

“If you talk with someone enough, they’ll be convinced they need to do something,” said 20-year-old Muhahid El-Naser. He was among a small number of people gathered outside a federal court building about a five-block walk from what the government alleges was the target of the bomb plot last week, Pioneer Courthouse Square.

No terrorism case since 9/11 has been thrown out because of entrapment. Just last month, the tactic passed its latest test when a New York jury convicted four men of trying to blow up synagogues. Jurors rejected the argument that the FBI enticed the men into a plot they never would have come up with otherwise.

“When the government supplies a fake bomb and then thwarts the plot, this is insanity. This is grandstanding,” Susanne Brody, one of the defense attorneys in that case, said Monday when asked about the FBI’s use of undercover stings.

Brody said the tactic requires extraordinary amounts of time and money and can ensnare hapless people, not hardened terrorists.

“The people they repeatedly come up with continue to be people who have no ability to do something on their own,” said Samuel Braverman, another defense attorney in the New York case who said he’s skeptical of a strategy that amounts to “picking off the dumbest we have to offer.”

In the Oregon case, even the government’s own documents paint Mohamud as something of a piddling terrorist: He tried to connect with a jihadist in Pakistan, but kept mistyping the e-mail address. He claimed that, because he had been a rapper, he could get an AK-47 machine gun.

And while his online writing suggested exercise routines for would-be terrorists — jump rope, run in the sand, jog before dawn so you’re not afraid of the dark — he confided to undercover FBI agents that he didn’t know how to be a terrorist and needed training.

Counterterrorism officials don’t buy the argument that a wannabe terrorist is less of a concern. They say the only difference between someone like Mohamud and someone like Faisal Shahzad, who admitted trying to set off a bomb in Times Square this spring, is that the FBI got to Mohamud before he could be trained to pull off an actual attack.

After all, Mohamud also made it clear he wanted to carry out an attack and rejected every opportunity to change his mind, officials said.

“He was told that children — children — were potentially going to be harmed,” Attorney General Eric Holder said Monday, rejecting the notion that FBI agents entrapped Mohamud.

In Oregon, the FBI went so far as to load a van full of phony explosives and let Mohamud try to activate them during the Christmas tree lighting celebration, according to court documents. That tactic, along with the repeated offers to let Mohamud walk away, reflect how far the FBI’s role-playing has come since an early, high-profile sting operation in Miami nearly fell apart.

When federal authorities unveiled that case in 2006, they said seven men from Miami’s impoverished Liberty City neighborhood had planned to destroy the Sears Tower in Chicago. But the plot never got past the discussion stage and the group never had the means to carry out the attack.

The case suffered two mistrials and two men were acquitted before prosecutors finally won the case and five men were sent to prison last year.

Today, authorities are more likely to carry their ruses further, give suspects more opportunities to clearly state their intentions for FBI microphones and even let them light a fuse to a fake bomb.

“Particularly in light of cases like Liberty City, everybody at Justice and the FBI is predisposed to taking it as far as they can,” said Patrick Rowan, the Justice Department’s former top counterterrorism official.

Jeffrey H. Sloman, a former federal prosecutor in Miami who supervised the Liberty City case, said people caught up in stings tend to be people who have the desire to kill but are still looking for ways to pull it off. He acknowledged that leaves prosecutors open to claims that such cases are just boasts and bluster.

“It’s ripe for criticism, second-guessing and Monday-morning quarterbacking, but when you’re talking about people who express a desire to murder and maim large numbers of people,” he said, “you have to explore that.”

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Hot mic picks up discussion on Senate floor: ‘It’s all rigged

By Chris Moody – The Daily Caller | Published: 11:04 AM 11/30/2010 | Updated: 3:55 PM 11/30/2010

A hot mic left on during a Senate vote Tuesday morning on the Food Safety Act caught a senator complaining that process of setting the agenda during the lame-duck session is “rigged.”

“It’s all rigged. The whole conversation is rigged,” said Colorado Democratic Sen. Michael Bennet. “The fact that we don’t get to a discussion before the break about what we’re going to do in the lame duck. It’s just rigged.”

The remark was picked up live on C-SPAN 2, although microphones are usually turned down during voting times. An aide quickly realized the mistake, jumped up and had the sound cut off.

Bennet Chief of Staff Guy Cecil stood by the senator’s comments.

“It’s something he’s been talking about from day one,” Cecil told The Daily Caller in an interview outside the Senate chamber. “The whole process being rigged against having a real conversation about tax cuts, the estate tax and the defense authorization. We’re not having a lot of those conversations. It’s just a symptom of Washington being broken.”

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Wikileaks The Tel Aviv Connection

By Jeff Gates
11-30-10
What is Tel Aviv to do now that it’s known Israelis and pro-Israelis ‘fixed’ the intelligence that induced the U.S. to war in Iraq?
Fool me once, shame on you. Fool me twice, shame on me. Con me consistently for six decades and the relationship is over, as is Israel’s credibility as a legitimate nation state.
Tel Aviv knows this. But what can the Zionist state do about it? Answer: Wikileaks.
Why now? Misdirection. Shine the spotlight on Washington to take it off Tel Aviv. That’s good old-fashioned psy-ops. And challenge the credibility of the U.S. That’s Wikileaks.
Any credible forensics would start by asking: to whose benefit? Then look to means, motive and opportunity plus the presence of stable nation-state intelligence inside the U.S.
Other than Israel, who else is a credible candidate? Notice how quickly Israel’s role in the peace process vanished from the news. Now it’s Iran, Iran and more Iran. To whose benefit?
Tel Aviv knows that the phony intelligence on Iraq leads to those skilled at waging war “by way of deception”-the motto of the Israeli Mossad. Wikileaks are noteworthy for what’s missing: the absence of any material damaging to Israeli goals.
But still Tel Aviv faces an unprecedented peril: transparency. Americans know they were duped. And Israel rightly fears that Americans will soon realize by whom.
Tepid Support will not Suffice
Obama has behaved as anticipated by those who produced his presidency. Anyone surprised at the lack of change in U.S. policy in the Middle East fails to grasp the power of the Israel lobby.
Did he hesitate to support their latest Israeli strategy for scuttling peace negotiations? Absent peace, the U.S. will continue to be the target of those outraged at America’s unflinching support for Israel’s thuggish behavior in pursuit of its expansionist goals.
Confirming the lobby’s influence, Netanyahu announced he would not agree to halt settlements on Palestinian land until Obama reduced to writing a $3 billion bribe.
In return for a proposed 90-day freeze, what form of bribe will America provide? Twenty F-35 jets at $150 million each plus parts, maintenance, training and armaments.
That’s $231 million per week or $1,373,626 per hour. What will the U.S. receive in return? A temporary partial freeze on settlements. How many more times can this ruse work?
Israel has evaded a peace agreement since it drove Palestinians from their land in 1948 and seized more land in 1967 to shape today’s geopolitics.
Should Israel reach an agreement with the Palestinians, Secretary of State Hillary Clinton proposes a “comprehensive security agreement.” At what cost no one knows. The U.S. Congress has already budgeted $30 billion for Israel over 10 years. This latest $3 billion is on top of that.
That doesn’t include the cost to American credibility posed by an offer to veto U.N. recognition of Palestine as a state. And a pledge Never Again to pressure Israel on settlements. Plus the freeze omits East Jerusalem where Tel Aviv insists on moving ahead with new housing starts.
Timing Is Everything
By scheduling its latest incursion into Gaza between Christmas 2008 and the January 2009 Obama inaugural, Tel Aviv ensured only muted opposition during political down time in the U.S. Thus it came as no surprise to see an agent provocateur operation on Thanksgiving Day 2010 as Israel demolished a West Bank Mosque and a Palestinian village.
After seven hours of nonstop talks, Hillary Clinton praised Netanyahu as a “peacemaker.” In return, he agreed only to “continue the process.” Meanwhile, U.S. elections marked a major victory for Israel when incoming Republican Majority Leader Eric Cantor, a Jewish Zionist, announced that the new majority would “serve as a check on the Obama administration.”
The Israel lobby has good reason to gloat. Confirming ongoing duplicity, Israeli Foreign Minister Avigdor Lieberman proclaimed: “a permanent agreement is impossible.”
Wikileaks’ release of confidential diplomatic cables provides Israel an opportunity to undermine U.S. relations worldwide while also inflicting lasting damage on U.S. interests in the Middle East. After this, what nation would trust the U.S. to maintain a confidence?
In October, Turkey asked that the U.S. not share intelligence with Israel. Now who dares share intelligence with the U.S.?
This may signal the beginning of the end for the Obama presidency his domestic policy failures are eclipsed by his failures in foreign policy.
This may also signal pre-staging for the 2012 presidential primary with a weakened Obama forced to name Clinton as his running mate or stepping aside so she can lead the ballot.
Her 2008 presidential campaign promised recognition of Israel as a “Jewish state” and promised an “undivided Jerusalem as the capital.” Tel Aviv was elated. A second Clinton presidency would ensure another victory for Israel-and no peace.
Israeli psy-ops typically serve multiple purposes. Wikileaks is no exception.
Jeff Gates is author of Guilt By Association-How Deception and Self-Deceit Took America to War. See http://www.criminalstate.com

 

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Nigel Farage harangues EU President Herman van Rompuy

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When Insiders Expose the Ugly Side of the Entertainment Industry

by vigilantcitizen.com

 

This article documents some of today’s well-known artists who have gone on record and spoken about the dark side of the entertainment industry. Some of the industry’s biggest stars, including Dave Chappelle, Michael Jackson and Bob Dylan, have hinted at the true nature of the business in their own words. Here are some of my findings.


Throughout my articles, I discuss many dark aspects of the entertainment industry. Some of these aspects are so awful and improbable to the average reader that they become hard to believe, especially when the information comes from an anonymous blogger such as myself. Some actual celebrities have however gone on record with some truths on the industry. Those rare outbreaks are rarely publicized but, they are available online. So, for this article, I’m letting the insiders do the talking. Who is better placed to talk about the entertainment business than the entertainers themselves, those who have experienced first hand all facets of the business?

Although most artists will not use the terms “mind control” or “occult initiation,” they are explaining, in their own words, the strange realities they are witnessing. These are some videos I’ve found.  I hope they’ll work for everyone.

Warning: Some of these videos are disturbing or contain foul language.

Dave Chappelle

This stand-up comedian, screenwriter, producer and actor is most famous for creating Chappelle’s Show, a ground-breaking sketch comedy television series which ran on Comedy Central until 2006. The DVD set is currently the all-time best-selling DVD for a television show, having sold more than three million copies. Its early success prompted Viacom (Comedy Central’s parent company) to offer Chappelle a $55 million contract for the production of two more seasons of Chappelle’s Show. The production of season 3 was extremely difficult, however, as Chappelle did not like the direction the show was taking. He even referred to it as being “socially irresponsible.” Chappelle also had troubles coping with the pressure coming from network executives to compromise and dumb-down his show.

On May 2005, Chappelle abruptly left the production of season 3 of the show and traveled to Africa. A media frenzy ensued, fueled by speculation and rumors of Chappelle “going crazy” and being on drugs. Upon his return, Chappelle was interviewed on Inside the Actors Studio in December 2005. He discussed many subjects, including his reasons for leaving for Africa. In this next portion of the interview, Chappelle describes in a very vivid matter the “sick” nature of Hollywood.

Keep in mind the portion of the interview where Chappelle talks about Mariah Carey and her losing her mind. She and her “handler” Tommy Mottola will again be mentioned by another fairly known celebrity later in this article.

In an interview with Oprah, Dave Chappelle shares his own theory concerning black comedians being forced to cross-dress at one point or another during their career.  The following video compares Chappelle’s story with 2Pac during the filming of Poetic Justice.

 

Selling One’s Soul to the Devil

“Selling one’s soul” can be defined as allowing one’s integrity, values and moral code to be defiled in order to obtain riches and success. Considering the occult aspect of the industry, “selling one’s soul” can take a more literal meaning, as there exist actual ritualistic initiations and obscure secret societies working in the shadows. Some artists, who have been more or less in contact with that darker side of Hollywood, have spoken on the subject in their own words.

In the next video, model and actress Melyssa Ford discusses the price of fame in Hollywood.

 

 

In the next video, singing legend Bob Dylan explains on 60 Minutes the reason for his longevity in the music business.

 

What is Katy Perry referring to in this next video? Is “selling one’s soul to the Devil” the folksy way to say I’ve been initiated into the Illuminati industry?

 

Michael Jackson

Who better than the King of Pop to speak the truth about the music industry? I’ve been asked numerous times about Jackson’s involvement in the Illuminati industry and the causes of his death. I’ve never attempted to write an article on the subject, as his career was incredibly long and filled with astounding events and requires more than just a summary survey.

What is obvious, however, is that MJ, in his last years, was becoming increasingly outspoken on the shady dealings of the music industry. Indeed, it seems the man who was the ultimate Illuminati slave was attempting to break free. In June 2002, Michael Jackson, gave an unexpected speech about the dark side of the entertainment business.

 

Jackson directly points to Tommy Mottola, the ex-president of Sony Music and the ex-husband of Mariah Carey, who was less her husband than an actual mind control handler. Did “the Devil” get back at MJ for speaking the truth?

Is there a symbol of MJ’s ritual sacrifice on the omniously titled “This Is It” released by… Sony?

Monarch Programming Caught on Tape

Sometimes without even knowing it, celebrities expose the ugly side of the entertainment industry through their actions. I have discussed in numerous articles the existence of mind control in entertainment industry and its symbolism in popular art, and people have asked me if the artists I discuss are actual mind control victims or if they are just performing art that incorporates mind control symbolism. It is obviously difficult to determine which celebrities are actual victims of monarch programming  but some rare footage has appeared showing some celebrities switching mind-control “alters” or personalities. Those videos are quite a disturbing display, but reflect the unfortunate reality of the mass entertainment industry.

ANNA NICOLE SMITH

In the next video, model and actress Anna Nicole Smith is filmed while one of her Monarch alters is switched on. In this disturbing home video, filmed by her handler Howard K. Stern, Anna-Nicole is completely dissociated and child-like.  Media outlets claimed Anna Nicole was under the influence of drugs during the taping of the video, which was probably the case. Drugs alone cannot explain her state of mind, however, as there are obvious symptoms of profound psychological trauma.

Anna-Nicole Smith has clearly an “alter” personality switched on who firmly believe that a doll is actually a real baby. The clown makeup (probably ordered by Stern himself to give the video more impact), reinforces the concept of alter personality in a sick display of manipulation by a handler. Notice in this CNN report that Geraldo refers to Smith as being “in character,” another term to explain an alter personality.

This video only reports one of the many bizarre events toward the end of Anna Nicole Smith’s life. Her entourage and environment was totally foul. It is not a coincidence Smith often posed as Marilyn Monroe during her career: Monroe was the original “mind controlled” sex-symbol.

Looking at the circumstances surrounding the death of her 20-year-old son Daniel in 2006, we can find another example of the trauma-based mind control Anna Nicole was subjected to. The death indeed appears to be a ritual sacrifice. Daniel died in Anna Nicole’s hospital room, right in front of her, only three days after she gave birth to her third baby. Here’s how the authorities described Daniel’s death.

“It would appear from our report that the mother had gotten up, saw him in the chair and he appeared to be sound asleep. She tried to wake him up, he was unresponsive, and she sounded the alarm.”
– Source

After witnessing the miracle of birth, Anna was forced to witness the death of her son in her own room. Daniel death was later attributed to the “presence of three types of prescription drugs in his system” and was considered “suspicious”. The event caused a violent trauma in Anna Nicole, and reports say she was then heavily sedated. She then dissociated from reality (the goal of Monarch mind control programming) and even lost memory of the event.

“The devastation and grief over Daniel’s sudden death coupled with the sedation has been so extreme that Anna Nicole experienced memory loss of the event,” attorney Michael Scott said.
– Source

This is just an example of the disturbing events surrounding Anna-Nicole Smith’s life. Many more details could be discussed in a later article perhaps.

BRITNEY SPEARS

In this 2003 interview with Diane Sawyer, Britney seems to momentarily switch alters in what seems to be a “mind control glitch”.

 

The episode of her breaking down and shaving her head might have been an attempt to break free from her mind control manipulation. Reality is indeed WAY stranger than fiction.


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Analysis of the Occult Symbols Found on the Bank of America Murals

Everyone check out vigilantcitizen.com!!  Amazing insight into occult entertainment and symbols

Prominently displayed in the lobby of the Bank of America’s Corporate Center are “creepy” frescoes, filled with occult symbols. Even more unsettling is the fact that those images seem to predict events of a radical world change in the not-so-distant future. Are those murals predicting the coming of an occult New World Order? We will look at the occult meaning of the symbols found on the Bank of America frescoes.

A reader of Infowars sent me pictures of some very odd murals displayed at the Bank of America Corporate Center in Charlotte, NC. Needless to say they immediately caught my attention, as I was flabbergasted by their symbolism and their message. I also couldn’t help relating them to the ominous murals of the Denver International Airport.

Painted by Benjamin Long, the paintings are said to revolve around the themes of “making/building, chaos/creativity, and planning/knowledge in a “daring blend of abstract and realism, set off with touches of gold“.

The three frescoes ruling over the lobby of the Bank of America Corporate Center.

Although we normally read from left to right, there are clues within the frescoes hinting the viewers to read the paintings from right to left. The “planning” stage (visually represented by the fresco on the right) is normally the first step of any process so it would make sense to start from there.  There is also alchemical symbolism hinting towards the chronology of the frescoes, so we will begin with the one on the right:

Right Fresco

The fresco on the right is dubbed Planning/Knowledge.  An esoteric read of its symbolism reveals exactly what is being planned and what knowledge it is referring to.

Masonic Boy on Masonic Floor

We see here a young blond boy standing on a standard Masonic checker-board pattern floor. His feet are placed at a 90 degrees angle, in accordance to Masonic initiation ritual:

Q. On your return to the Lodge, where were you placed, as the youngest Entered Apprentice?

A. In the northeast corner, my feet forming a right angle, my body erect, at the right hand of the Worshipful Master in the east, an upright man and Mason, and it was given me strictly in charge ever to walk and act as such.”
– Malcolm C. Duncan, Duncan’s Masonic Ritual and Monitor

Seemingly underneath the boy are people dressed in business suits, seemingly strategizing while pointing at the Masonic boy. Does the boy represent the “new generation”?

This blond boy is very reminiscent of the blond boy featured at the center of one of the murals of the Denver International Airport.

Blond boy hammering a sword into a plowshare. Note that the boy is wearing a traditional Bavarian costume … perhaps as in Bavarian Illuminati?

Burning Bush, Woman in Cube and Pyramid

Symbolism overload

Behind the boy is a tree on fire, which is a reference of the Burning Bush of the Old Testament. The Burning Bush is of great importance in Masonic ritual, especially for the 33rd degree, whose members are considered to be “near the Burning Bush”.

“In the third Exodus it is record that, while Moses was keeping the flock of Jethro on Mount Horeb, “the angle of Lord appeared unto him in a flame of fire out of the midst of a bush”, and there communicated to him for the first time his Ineffable Name. This occurrence is commemorated in the Burning Bush of the Royal Arch Degree. In all systems of antiquity, fire is adopted as a symbol of Deity; and the Burning Bush, or the bush filled with fire which did not consume, whence came forth the Tetragrammaton, the symbol of Divine Light and Truth, is considered in the advanced degrees of Freemasonry, like the Orient in the lower, as the great source of true Masonic light; wherefore Supreme Councils of the Thirty-Third Degree date their balustres or official documents, “near the B.B.” or Burning Bush, to intimate that they are, in their own rite, the exclusive source of all Masonic instruction”.
– Albert G. Mackey, Encyclopedia of Freemasonry, Part 1

In the background is an Egyptian pyramid, the ultimate symbol of the Mysteries in occult teachings.

A strange feature of the painting is the woman apparently trapped inside a transparent cube, hanging from threads coming from the sky. Does she represent the common man, stuck in the confines of the material world (occultly represented by the cube) and manipulated by unseen the forces from above?

Stairs and Black Sun

Jacob’s ladder and a black sun

On the left of the image are stairs, apparently leading to the heavens, a classic symbol representing the path to illumination/Illuminati through the mysteries of Masonry.

A Masonic engraving depicting stairs leading from the Masonic floor to the “outside”

In the sky is a black sun, another symbol of an esoteric significance. Hermetic traditions teach the existence of two suns, an invisible and etheric one made of pure “philosophical gold” and the material one, the only one the profane can perceive, known as the Black Sun.

In alchemy, the black sun (Sol niger) is the name of the result of the first stage of the Opus Magnum. The alchemical Magnum Opus (or Great Work) starts with the “blackening” – the calcination of crude metals – and ends with their transmutation into pure gold.

Today, the symbol of the Black Sun is mostly associated with esoteric Nazism and cults such as the Temple of Set. It is also found in odd places such as:

Bracken House, London. The Black Sun beares the face of Winston Churchill.

…and, once again, the Denver International Airport.

Floor design in the DIA depicting a black sun moving in front of the golden sun

The right fresco therefore seems to portray the first step of a “Great Work” that needs to be accomplished, as symbolically represented by the black sun. Men dressed in suits (one of them oddly looks like Adam Weishaupt),  seem to be preparing a new generation of Masonic youth. Meanwhile, the “profane” seem to be idling in an translucent cube, controlled by invisible puppeteers.

Middle Fresco

The middle fresco, Chaos/Creativity, depicts a turbulent transitional period. Many details within the painting describe this profound turmoil, which seem to be affecting all part of society and civilization. We find military and religious figures, people protesting and much more.

Barb wires, nets and soldiers on the streets tell the viewers that this period of turmoil is also one of oppression. The nun does not seem very pleased either.

At the left of the painting is a person wearing a biohazard suit, hinting to some kind of chemical warfare.

Person in gas suit

For this reason, and many more, I find this painting very similar to one of the Denver Airport’s murals … the most infamous one.

This mural of the DIA portrays a militaristic figure wearing a gas mask and oppressing an endless line of sad people. Chemical warfare, military repression, dead babies … what is there not to like about this image?

If we look at the top of the fresco, we see translucent beings spinning with fire, perhaps implying that the turmoil is also happening on a metaphysical, cosmic or astral level.

Spinning naked bodies in a vortex of fire

This round fiery shape can also be likened to a sun. Its pale golden color and the transparency of its figures can be associated with the intermediate step of the great alchemical work named “Whitening”. Jung compared this step with daybreak, the preparation for the next and final stage, which is the sunrise, characterized by the color red. Which is, of course, the most prominent color of the left fresco.

Left Fresco

The fresco on the left is said to focus on the theme of “Making/Building“. The main figure of the fresco is a worker holding a shovel, contemplating the work done. In his back pocket is a red piece of cloth, a symbolic detail in the context of this image. There is indeed a great emphasis on the color red in this fresco, which, as mentioned above, is the also the color associated with the final step of the alchemical Magnum Opus: Rubedo, the “Red Work”.

In occult teachings, alchemical transformation can happen on numerous levels: a material level, where crude metals are transmuted to pure gold, but also on a spiritual and philosophical level, where the profane man becomes a “regenerated man”. In secret-society lore, the entire world is considered to be the subject of alchemical transformation; it is said to be an imperfect plane needing to be “transmuted into gold” in order to mirror the heavens, in accordance with the hermetic axiom “As Above, So Below”. Is a New World Order the “Great Work” of the occult elite?

Sleeping Giant

Is he dead or sleeping? And what does “EQ” mean?

An odd detail of the fresco is this man blending with the earth, apparently in deep sleep … or is he buried? This is also reminiscent of the (unsettling) sleeping little boy on the DIA murals.

A helpless little boy sleeping (or dead) under a red blanket

What Is The Meaning of the Frescoes?

Like most elitist art, the frescoes on display at the headquarters of Bank of America, the largest bank in America, tell a story intended to be decoded by those in the know. The frescoes seem to depict three stages of world transformation – planning, chaos and achievement – and are color-coded to be analogous to the three stages of hermetic alchemy: Nigredo (blackness), Albedo (whiteness) and Rubedo (redness).  The frescoes beare many resemblances to the murals of the Denver International Airport, which also depict progressive phases of a profound transformation of society after a period of intense turmoil.

The first fresco displays a wide array of occult symbols, some directly referring to Freemasonry. This is quite astonishing as the painting is in the lobby of the headquarters of the United States’ most predominant bank and not in a Masonic lodge … but perhaps there is some overlap. Those who are “in the know” and initiated to the Mysteries are those who are qualified to accomplishing the planning process, which in this painting seem to be the men in suits, whose ties match the red and white checker-board floor, and who make plans for the future generation, represented by the blond Masonic boy.

In the second fresco, civil unrest, riots, protests and repression are all taking place. Historically, the masses only usually go into an outright revolt when their living conditions deteriorate significantly or when hugely unpopular policies get adopted. Does this piece refer to the loss of civil liberties and the rise of a police state? There is also a metaphysical aspect to the image, represented by the spinning naked bodies that appear as the sun, implying that the period turmoil is also happening on a cosmic level.

The last fresco gives a sense of “mission accomplished”, with the dominant figure surveying the work, while also conveying the message that “the work is never totally done” as labourers are still hard at work in the underground. This is reminiscent of the movie Metropolis, where a class of workers silently slave away underground to sustain the elite’s utopia. I also can’t help but being reminded of the 33 Chilean miners while looking at those workers …

In Conclusion

The Bank of America frescoes are yet another example of the elite’s agenda being “hidden in plain sight”. These giant images, on display for all to see, but designed to be understood by few, describe the philosophy of the elite rulers, their occult knowledge and their plans for the future.  As it is the case for all works of art, it is possible to interpret these paintings on numerous levels and to come up with different conclusions. It is, however, difficult to ignore the recurrent themes found in the”Sinister Sites” described on The Vigilant Citizen: prevalent occult symbolism, the heralding of a “new era”,  contempt for the profane masses, celebration of repression and war, etc. When comparing the Bank of America frescoes with the art of the DIA and the Georgia Guidestones, we can find a definite consistence in their symbolism, their tone and their message. This leads me to believe that the same group is behind all of those sites and many more. Whoever they are, we know a few things for sure: they are extremely rich, extremely powerful and they don’t really like you … because you are not one of Them.

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Miley Cyrus’ Kid Sister Selling Sex To Little Girls

Federal Jack

(MSN)   Seems like every time we hear about Noah Cyrus she’s doing something totally inappropriate for her age.

Whether it’s dressing like a dominatrix for Halloween, skipping around a pole-dancing pole or performing the totally un-PG hits ‘Smack That’ and ‘Tik Tok’, we suspect this nine-year-old could easily notch up more scandals than her big sis by the time she hits her teens.

Noah at two Halloween parties last year.
Noah at two Halloween parties last year.

The latest news that’s got us scratching our heads and wondering, yet again, ‘what were her parents thinking?’ …little Noah is set to become a lingerie model.She’ll be teaming up with her pint-sized best friend Emily Grace to launch a children’s lingerie collection for ‘Ohh! La, La! Couture’.

Left: Pole dancing with her little friends last year. Right: With her best friend Emily Grace.
Left: Pole dancing with her little friends last year. Right: With her best friend Emily Grace.

The company’s website describes The Emily Grace Collection as having a “trendy, sweet, yet edgy feel, reminiscent of Emily’s true personality. She is collaborating with Ooh! La, La! Couture designers to create versatile styles that can be worn with sweet ballerina slippers, funky sneakers or paired with lace stockings and boots for more of a rock and roll look. Emily’s collection will appeal not just to little girls – the line also has an exclusive Teen Collection available to a size 14.”Here’s a clip of this poor Emily Grace kid dressed up in a pair of fishnets and chatting about her underwear line with Miley and Noah…

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